It is a truism that taste varies, yet it is important to bear in mind that literary taste – that which counts as literature – is not historically indeterminate, but deeply embedded in the historical and cultural context of narrative practices.
Both narratologists and medievalists can profit from such an endeavor, which does not reject classical and post-classical theories.
Rather, it is based on an informed understanding of the historical grounding of narrative forms and their place in the history of literature.
If even such basic features of narrative have so far remained unanalyzed from a diachronic perspective, it becomes self-evident how many questions there still are to be answered, how much there is still to be done in narrative studies, particularly from a diachronic perspective.
If such historical analysis is taken into account, the field of narratology could be on the brink of a major revolution. ’ (Fludernik 2003a, 344) Since 2003 this train has indeed moved, but not quite alongside as revolutionary a track as Fludernik envisaged.
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partnersuche online schweiz youtube Termin: single alleinerziehend partnersuche kostenlos finya single alleinerziehend partnersuche kostenlos hannover single alleinerziehend partnersuche kostenlos hamburg Köln partnersuche online schweiz luzern single alleinerziehend partnersuche kostenlos test online partnerbörsen tipps Die politische Unsicherheit in Europa und den USA hat in den ersten Monaten des Jahres 2017 zugenommen.In fact, the literature from antiquity is probably the most successful area in the diachronization of narratology so far.From Irene de Jong’s narratological work on the Iliad and the Odyssey to Jonas Grethlein’s analysis of expectation and experience in ancient historiography, narratology is firmly situated within classical studies (cf. Even though scholars’ awareness of the historical potential of narratology has been raised, we are still lacking a truly wide-reaching diachronic narratology that does not neglect whole periods in its surveys.It is one of the great promises of narrative theory to do justice to these complexities: with its focus on forms and functions, narratology – particularly in its post-classical vein – can help to improve our understanding of narrative elements both in and across literary periods (for post-classical narratology, see Alber / Fludernik 2010).More than a decade ago, Monika Fludernik in her seminal article “The Diachronization of Narratology” declared that “a reorientation of narratology in the direction of diachronic inquiry is now on the cards – no longer as a weird antiquarian interest but as a vital and exciting new area of research” (Fludernik 2003a, 332).A central role here could (and should) be assigned to a medieval narratology.